Friday, December 23, 2016

Monday, December 19, 2016

Beach Day

I took Carivaggio to the beach for half the day.



Love my dog, and he loves me...and he loves his ball.

Tuesday, December 13, 2016

Hibiscus Kanji

My client felt that this was the most important moment of her adult life.  I was absolutely proud to give her the strength to do what she needs to.


Mahalo.


Thursday, December 8, 2016

Polynesian Cover-up

Some clients are just fantastic people.  They give you the freedom to simply do what works.  I really dig this tattoo.




Mahalo.

Wednesday, November 23, 2016

Formal Work for “The Peloponnesian War” Painting

I am ready.  I have taken several years to clear my mind in preparation for my oil paintings of “The Peloponnesian War” as a composition within a series.  I will begin with some basic composition sketches as I research the subject itself.

I am currently reading “The History of the Peloponnesian War” by Thucydides, and taking a class (through the net) from Donald Kagen a professor at Yale University.  The lectures are available to anyone on the net through several sources, however the source material is a bit hard to purchase as I am not a student at Yale.  I have also been reading Donald Lateiner’s work on Thucydides, and after a real look at the material, Kagen’s work and his source material is by far the better.  Or I simply enjoy Kagens work more as I can relate to his personal feelings on the subject.

As preparation for my own transformation into the character I will be working from this time, I have completed the works of Plutarch simply to get a feeling for multiple individuals of a like time.  Now “Plutarch’s Lives” is written several hundred years after the Peloponnesian war, however it is my only real source material into the daily lives of people back then.  Rome was considerably different than Greece. Regrettably Plutarch is the best I can do to find a state of being for daily behavior of a common individual.  I could go to the classics like Plato or Aristotle for my character study.  Those men were anything but common and where I have read all of their works, I find them both, in part, to be liars.  So while being familiar with their works will be beneficial to my character study, it will ultimately be self defeating in the clarity and integrity of my personality change.

This is always a challenging process.  To become something else entirely separate from one’s identity is a challenge to achieve and maintain.  I am not sure how long it will be until I am ready to take on the character.  Probably a few years.  

I do this because I want to express the subject of the Peloponnesian War as it directly relates to today.  I fell that it’s complete circumstances are a reflection of the underbelly of our current world.  Albeit, this is a subject that I must twist into a true work about now, as it relates to mankind’s immediate story.  That story is in my opinion extremely optimistic, and pessimistic.  As long as I can remember, America has been on the edge of total collapse or total prosperity.  I want to express that optimism of youth and that pessimistic old man.  I am sure to discover a great deal within this study.  I know that my immediate thoughts on what I want to do are going to change entirely as I slowly take on the complete character of my subject. 

I will start the work by several studies in oil on linen.  I will title them “Hawai’i” because well that’s where I am.  Each of these works will not be planned in any way, and the will be simply expressions of my environment.  I am really going to take my time with this.  We are buying the studio now, so my time will be split into running this store and working tattoos, and oil painting.  I am also not in anyway in a hurry to complete this work as I want to be completely prepared to paint this as I maintain my work as a tattooer.  When I am ready I will hire an employee to do most of the tattoo work as I focus on my compositions.  I may have to train someone for this as I will need someone who can work as hard as I do with a similar philosophy on life and works, and being an artist.

Mahalo, this is going to take some time to make happen.


Friday, October 7, 2016

Divinity School

Divinity school

The misconception that abstraction is checked for its quality as it comes from the value system of the modern art market is simply inaccurate.  Distraction is not subjective and subjectivity is constantly taken advantage of casually.  There is nothing wrong with making a profit from an artist, albeit that artists labor ideally should be his gain.  That contradiction is a calculated decision on the speculative effect a living artists work will have on mankind in years to come.  More times than not that prediction is accurate when placed against a larger pool of the population.  That same process for accessing value is completely inaccurate when looked at through a smaller lens.  I adore abstract works of art, and if compositionally sound I find myself at ease in their presence.  There was a time where I followed everything happening.  I no longer understand the current trends, and I no longer seek to know them.  I enjoy the isolation of my current home, just as I enjoy the works that I am creating in that isolation.

As soon as one outgrows, or simply decides to ignore the vanity and pride of being different, the individualism of our era, then the ability to see a truth as in the nature of reality grants mankind with the ability to see the truth in daily life.  Seeing that, understanding that, and knowing how powerless one is to that gate is at first for some painful.  As those types morn their loss, the few others celebrate their liberty.  Inevitably that suffering or joy becomes wisdom if the artist is honest with their insight.  Very few are honest with themselves or their motivations.

I also enjoy rambling about ideas that more then likely are complete nonsense.  Possibly that is related to my love of abstraction.  I met an artist here on Maui this week, and witnessed first hand their delusion of self and motive.  Mostly I can just call them youthful, but really I will call them lost in aggrandizement.  However it has been on my mind, the circle of influence we all project regardless of its actuality.  Within that I applaud youth and ask myself; how is it that I am seeing myself as old being as young as I am?  Then I recall what I just wrote while looking for the next sentence.  How pleasurable this game is to me.


Aloha.


Friday, August 19, 2016

Maui

Athena and I spent the day in the ocean, we went out to Honu for dinner, watched a sunset and had a perfect day.  I have been so busy at the studio that I have forgotten to take a day and relax.  The last three days have been nothing but family, ocean, and really good food.  I absolutely love being on Maui, and I forget to enjoy it.  I am booked out for a while, and I have commissions to finish so finding time to just surf and snorkel is hard.  Thankfully I have Athena, and she takes care of me completely.  I Love this woman with all of my heart.


I love this woman...


3 days without doing a single tattoo, all ocean and family.
Perfect.

Thursday, May 12, 2016

Friday, April 8, 2016

Mustache

I grew a mustache...crazy funny.


I shaved it off 1 min after this.

Wednesday, April 6, 2016

Friday, April 1, 2016

Arrow

It was nice to work on a tattoo that I don’t normally get asked to do.  This arrow, simple as it is, was really fun to create.


Mahalo.


Tuesday, March 15, 2016

Polynesian (tribal) Tattoo.

I made this tattoo today.  Polynesian tattoo is language, and well I use it.  Arm bands are always a lot fo work and a lot of fun.




Mahalo

Thursday, March 10, 2016

Divinity School

Divinity School

After four years of putting aside and abandoning oil painting, simply being without oil painting, I find my reasons for painting in the past to be subjective even to myself.  I do not wish to go into a lengthy dialogue about why I do what I do.  It is enough that I enjoy it and that it is part of my identity, one where I have no dependency of painting, albeit there is always the desire to oil paint.  Even now I find myself  plotting for the future where I have an employee who does most of the tattoos in the studio while I oil paint.  I simply need the time to do my work now, and unfortunately time is controlled by money.  I must establish the means for this to happen, and that may take a couple more years.  As I work towards this, I am going to paint the studies and find the look that best manipulates my intended concept.

I am now at a point in my life where I am once again able to pick up my brushes and start the next series of works.  I am in a great position to at the very least begin the process of creating an oil painting.  I no longer have any idea what it is I will paint, although I do have a goal of creating my masterwork “The Peloponnesian War,” as my first mature work.  That isn't tiredly liberating and somewhat egotistical, it is simply what I have been working toward for the last four years.  So here we go again with the great journey into the mind; and yes, I intend to come out with gold.  I have no expectations as to what I may discover this time only that this will be interesting to me.  All those around me believe I will never again oil paint, nor do they see the impact I may have.  It's almost as if they can't see the assassin when it is directly in front of them. 

So here we go the great journey into the mind as the assassin as the liberator as the person who knows better than anyone that I truly know absolutely nothing about yesterday, today, and tomorrow.  I have played the role I needed to become for several years now, and now I will live as this character to its fullest.  

In regards to my intent, well that has always been clear, and I have always stated my formal intentions to everyone.  If they chose to listen then they will understand.  If they did not, there will inevitably be hurt feelings, as there almost always is when it is discovered that I am simply playing a role to obtain a perspective so I may accurately render my concept within the aesthetics of composition in abstract oil painting.  I still feel that this artist statement for the work I intend to complete as an artist is relevant.


Artist Statement...
I become a character who’s construct reflects a thing in its entirety.  Every aspect of my daily life is that character, that idea.  My paintings are titled directly what I want you to see.  Seeing is not a subject process.  Simply understand the words and look at the paintings. 

No exegesis whatsoever is needed. 
Adam M. Considine  March 2016 


Sunday, March 6, 2016

Sunday, February 21, 2016

The "Bug"

There is a tattoo that I have wanted since I first saw it.  Its the Bug, or the "stink Bug" and it is a Minneapolis tradition.  It is passed between people I know in Minneapolis and those traditions normally involve drinking.   You have to be absolutely drunk.  The person giving you the tattoo has to be beyond drunk, and anyone involved needs to be wasted as well.  You don't have to be a tattooer to give this to someone, you just need to have been given one, and be wasted when you tattoo it.
So we got Trevor wasted on Jameson and beer and had him tattoo us all with the bug.  He originally got his from an Aprentice piercer. 

I think we drank three bottles of Jameson.

 Our friend Gak was visiting from Japan and he doesn't drink very much.  I kept filling his cup with whiskey and he kept drinking.

That's a tender spot. 

 Athena and Trevor triumphantly showing off her new ink.

happy drunk




I bet it didn't hurt at all. 


I absolutely love my "Stink Bug" tattoo. Thanks Trevor.






Monica getting hers, happy drunk and happy getting tattooed.



Here we all are dreading the hangover and loving our current tattoos.

Fuck that was fun.
Mahalo