Showing posts with label palette knife. Show all posts
Showing posts with label palette knife. Show all posts

Tuesday, October 9, 2007

2.2.3_Other tools

2.2.3_Other tools

Anything can be used as a tool for oil painting.  As a child I knew a man that painted with sharpened sticks and twigs, and referred to himself as the twig painter.  Each painting tool is a discipline to master. While working solely with the pallet knife, I needed a larger surface to move paint, so I chose to use a toaster for several composition paintings, simply because it was the tool that could get the results I was looking for.  The concept that I was working on at the time dictated what tool I use.  I chose the toaster simply because I could only acquire the results I wanted from its large, flat, smooth surface.  When I wanted a larger size, I used a freezer door as my tool, with the same intended purpose as the toaster and pallet knife.  My personal experiments with unconventional tools did not end there, and eventually led me back to the brush.  These experiences gave me separate voices of dramatic difference within my work that I someday may eventually unite into a single personality with a voice based on multiple techniques. 

I once challenged an artist to paint with a wind up toy bear that’s arms would become animated in opposing directions in a swimming motion, and a small toilet plunger.  Although the physical aesthetic of the work he produced was poor, if the artist would have continued to practice the discipline in oil painting with the toy bear and toilet plunger, he would have eventually found a way to create what his intuitive mind was telling him in an aesthetically pleasing manner.  The toy bear and a toilet plunger were experiments in teaching an understanding of what a tool is to the artist.  The lesson was intended to remove the artist's dependance on a conventional painting tool as the brush, and to teach the artist that all painting tools are simply a discipline within themselves to learn.  My apprentice painted five works with the toy bear and toilet plunger.  It was not until the fourth work that he began to get a handle on the tools themselves, and not until the fifth work did he start to see the lesson of tool as a discipline. 





Prior to this experiment, I attempted the same lesson with this artist, confining him to use one brush type per painting.  The lesson, tool as discipline, is the same here as it was with the unconventional tools, but my apprentice couldn’t separate his mind from the brush as he used it, even though he was only allowed to paint exclusively per brush type.  His unimaginative approach to painting and painting tools pointed me in the direction of removing his habits with the unconventional and witty toy wind-up bear and toilet plunger.  I had to remove the idea of tools as tools, making the action of painting absurd in order for him to see the ideas behind the lesson.  Subsequently this artist should have been able to see this on his own, and as far as I know he no longer paints.  Together we did have a very good time painting, and Stefan was extremely talented in illustration.  I hope that he still works creatively today.



Thursday, December 1, 2005

Series of Paintings: "Improvisations"

Let's start off this blog with a look at my past in the arts. 

This series of paintings was created from 1997-1998, (I am really unsure as to the actual dates.)  These works were my first real attempt to study abstraction.  

In 1997 I was working at Starbucks on 50th and France Avenue.  I would paint some landscapes or still-lifes and bring them to work and show them off to all the costumers, who might I add were older wealthy house wives who love impressionistic works of art (of course they do, Van Gogh works of art are on coffee cups everywhere).  I actually loved that job, my coworkers were cool, fun to be with and honest, and its coffee man, seriously do I need to explain that?  So one day I just up and quit.  A costumer came in and asked for some cardboard boxes to move with.  I checked, but we didn't have any, and wow was she mad.  She threw her latte on the floor, screamed at me about how she called the day before and asked us to hold the old boxes for her... bla bla bla; what an entitled little cunt.  I wasn't mad, I just wanted something different so I handed the store keys to my GM and left. 

I went home that day and stared at my paintings I was working on at the time.  I was using acrylic paint then, and I was almost out.  I did have a box of old oil paints that my grandmother, Virginia, gave me years before, but no solvent and no brushes.  I did have a few palette knives I could work with. 

So after looking at the oil colors, three large blank canvases, and the palette knives, I just simply started putting oil paint on the canvas.  I worked for several days straight, until I had finished all of the paintings.  I worked on this series for the next year+ straight, completing 60+ canvases.  I only have records of 50 of them.

There is really no artist statement here.


Improvisation 1 "Minneapolis" 
oil on canvas
80" x 50"

Improvisation 2 "Beach" 
oil on canvas
50" x 80"

Improvisation 3 "Untitled" 
oil on canvas
70" x 30"

Improvisation 4 "Untitled" 
oil on canvas
12" x 12"

Improvisation 5 "Untitled" 
oil on canvas
18" x 22"

Improvisation 7 "Untitled" 
oil on canvas
12" x 12"

Improvisation 8 "Untitled" 
oil on canvas 
12" x 12"

Improvisation 9 "Orange Stripes" 
oil on canvas
12" x 12"

Improvisation 10 "Untitled" 
oil on canvas
12" x 12"

Improvisation 11 "Untitled" 
oil on canvas
12" x 12"

Improvisation 12 "Untitled" 
oil on canvas
12" x 22"

Improvisation 13 "Untitled" 
oil on canvas
12" x 12"

Improvisation 14 "White Stripes" 
oil on canvas
12" x 40"

Improvisation 15 "Untitled" 
oil on canvas
18" x 22"

Improvisation 16 "Untitled" 
oil on canvas
18" x 22"

Improvisation 17 "Gold Stripes" 
oil on canvas
22" x 18"

Improvisation 18 "Untitled" 
oil on canvas
12"x 24"

Improvisation 20 "Wine Label" 
oil on canvas
60" x 36"

Improvisation 21 "with Scratches" 
oil on canvas
50" x 50"

Improvisation 22 "Untitled" 
oil on canvas
48" x 60"

Improvisation 23 "At the Opera" 
oil on canvas
50"x 50"

Improvisation 24 "Studio" 
oil on canvas
50" x 50"

Improvisation 25 "Squid City" 
oil on canvas
36" x 36"

Improvisation 26 "Untitled" 
oil on canvas
18" x 22"

Improvisation 27 "Untitled" 
oil on canvas
18" x 22"

Improvisation 28 "Untitled" 
oil on canvas
48" x 24"

Improvisation 29 "Honkey Tonk" 
oil on canvas
40" x 70"

Improvisation 30 "Lighthouse a" 
oil on canvas
24" x 30"

Improvisation 31 "Lighthouse b" 
oil on canvas
24" x 48"

Improvisation 32 "Lighthouse c" 
oil on canvas
30" x 70"

Improvisation 33 "Loring park sky" 
oil on canvas
80" x 60"

Improvisation 34 "Northern Lights" 
oil on canvas
80" x 50"

Improvisation 35 "On the Other side of the Hill" 
oil on canvas
48" x 60"

Improvisation 36 "Lightning" 
oil on canvas
36" x 24"

Improvisation 37 "7 Sailboats" 
oil on canvas
18" x 22"

Improvisation 38 "Hut study" 
oil on canvas
22" x 18"

Improvisation 39 "Tree study a" 
oil on canvas
22" x 18"

Improvisation 40 "Tree study b" 
oil on canvas
12" x 12"

Improvisation 41 "Tree study c" 
oil on canvas
22" x 18"

Improvisation 42 "Tree study d" 
oil on canvas
18" x 22"

Improvisation 43 "The Tree in the park where the hore sleeps sometimes" 
oil on canvas
18" x 22"

Improvisation 44 "Beach at Night" 
oil on canvas
50" x 80"

Improvisation 45 "Thomas Cromwell and the King" 
oil on canvas
48" x 24"

Improvisation 46 "Saint George and the Dragon" 
oil on canvas
36" x 40"

Improvisation 47 "Waterspout" 
oil on canvas
20" x 60"

Improvisation 48 "Untitled" 
oil on canvas
48" x 24"

Improvisation 49 "Untitled" 
oil on canvas
18" x 22"


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