Texture painting 2

The textured oil paintings I work on have to dry before I can add a new layer.  Normally it takes about a month for the oil to be solid enough for me to add more.  This session of painting was probably the 5th session of adding oil color.

Thanks for reading my blog...

...part three of this post coming soon.

New illustration study

I have been working on this idea for a very long time now.  When I eventually complete this painting I will post the ideas behind the composition.  

BitTorrent study #5 for "Salome with the head of saint john the baptist" 

ink on paper

2007

and oh ya, today is my birthday...

...check back soon for more post birthday artworks.

Texture painting 1

I had started this on a separate web-server and decided that blogspot.com was the best choice for me.  So this post is backdated, and simply copied from my old blog.

I thought that I would just start off with some pics of a painting I worked on a while back.  This is the process of oil painting a texture composition.  This was the first of many sessions of adding oil paint to the canvas.  When I work with the texture of oil paint I start out with a lot of paint, and sculpt it like clay into forms.  After i have established the main composition with the larger forms of oil color I like to just keep adding oil color with a palette knife.

These paintings, if i could truly afford them would be what I focus on most of my time.

These pics are of me sculpting the first large forms on the canvas.

Thanks for reading my blog...

...more to come soon.

New illustration study

BitTorrent study #9

ink on paper

2007

New illustration study

This is a study for an oil painting for the bittorrent series I am working on now.  I just do not have much to say about it.  Its not as cool as i wanted it to be.

BitTorrent Study #8

Ink on Paper

2007

The Warren an Artists Habitat opening night!

Matt Mcgorry and I had a group exhibit at "The Warren an Artists Habitat". 

Here are some pics of the works we showed.

Matt Mcgorry

Matt Mcgorry

Matt Mcgorry

Matt Mcgorry

Matt Mcgorry

Me

Here are some pics of the people that came to the opening.

Looking at something...

...at this point I am so tired that standing is not an option, I work too much.

So we all had some box wine and a few beers, it was a short night and I went home and slept in.  thanks to all of you that came out, see you again soon.

Im tired, seriously tired...

...2007 has been a very long year so far.

2.2.3_Other tools.

2.2.3_Other tools.

Anything can be used as a tool for oil painting. As a child I knew a man that painted with sharpened sticks and twigs and referred to himself as the twig painter.  Each painting tool is a discipline to master. While working solely with the pallet knife I needed a larger surface to move paint, I chose to use a toaster for several composition paintings simply because was the tool that could get the results I was looking for. The concept that I was working on at the time dictated what tool I use, as I chose the toaster simply because I could only acquire the results I wanted from its large, flat, smooth surface.  I wanted a larger size so I used a freezer door as my tool, with the same intended purpose as the toaster and pallet knife. My personal experiments with unconventional tools did not end there and eventually lead me back to the brush. These experiences gave me separate voices of dramatic difference within my work that I someday may eventually unite into a single personality with a voice based on multiple techniques. 

I once challenged an artist to paint with a wind up toy bear that’s arms would become animated in opposing directions, swinging in a swimming motion, and a small toilet plunger. Although the physical aesthetic of the work he produced was poor, if the artist would have continued to practice the discipline in oil painting with the toy bear and toilet plunger he would have eventually found a way to create what his intuitive mind was telling him in an aesthetically pleasing manner. The toy bear and a toilet plunger were experiments in teaching an understanding of what a tool is to the artist. The lesson was intended to remove the artists dependance on a conventional painting tool as the brush, and to teach the artist that all painting tools are simply a discipline within themselves to learn. My apprentice painted five works with the toy bear and toilet plunger. It was not until the fourth work did he begin to get a handle on the tools themselves, and not until the 5^th did he start to see the lesson of tool as a discipline. 

Prior to this experiment I attempted the same lesson with this artist, confining him to use one brush type per painting. The lesson, tool as discipline, is the same here as it was with the unconventional tools, but my apprentice couldn’t separate his mind from the brush as he used it even though he was only allowed to paint exclusively per brush type. His unimaginative approach to painting and painting tools that pointed me in the direction of removing his habits with the unconventional and witty toy wind up bear and toilet plunger. I had to remove the idea of tools as tools, making the action of painting absurd in order for him to see the ideas behind the lesson. Subsequently this artist should have been able to see this on his own, and as far as I know he no longer paints.
together we did have a very good time painting, and Stefan was extremely talented in illustration, and I hope that he still works creatively today as he did yesterday.

Artwork of the month: Max Beckmann.

I have never really liked Max Beckmann's work. I found it unskilled, childish, and uninventive. For years I would simply walk past this painting, paying it no mind. Working at the Minneapolis Institute of Arts, I have found myself paying attention to works of art that I would have normally ignored. Subsequently, I have changed my perspective on many works of art; Beckmann's piece included.

Although I still do not like his poor use of composition, I find Beckmann's use of color enjoyable. The layers of color, dark over light over dark, is typical of the expressionists and still innovative today. Philosophically this work is a personal catharses and escape from World War II.

Max Beckmann

German, 1884-1950

"Blind Mans Buff"

1945, oil on canvas

"I think only of objects: of a leg or an arm, of the wonderful sense of foreshortening, breaking through the plane, of the division of space, of the combination of straight lines in relation to curved ones."

-Max Beckmann

Pay attention to the content in this painting...

...it can surprise you.

New illustration study

Another bitTorrent study.  I am getting better at handling a circle in ink.  Eventually I will be good enough to paint a complete circle in oil perfectly.  At the moment I just take my time and slowly go over its outer edge, then move into the circle itself.

This composition seams at first unbalanced, and heavy toward the right.  But as you will notice the unbalanced weight is reestablished by the open space between the arch and angle.  This composition would be most successful if used with a monotone background, lighter complementaries as the forms and triadic complements as the lines.

BitTorrent Study #7

Ink on paper.

2007

Artwork of the Month: My favorite Picasso's at the MIA.

I have admired the composition of this vase for a long time.  Picasso has long been an artist that I both love and hate.  Today he is on my good side.

Pablo Picasso

Spanish, 1881-1973

Vase

Earthenware, slip, 1950

"Art is a lie that makes us realize truth."
-Pablo Picasso