Saturday, October 20, 2007

New illustration study

This is a study for an oil painting for the bittorrent series I am working on now.  I just do not have much to say about it.  Its not as cool as i wanted it to be.

BitTorrent Study #8
Ink on Paper
2007

Saturday, October 13, 2007

The Warren an Artists Habitat opening night!

Matt Mcgorry and I had a group exhibit at "The Warren an Artists Habitat"



Here are some pics of the works we showed.

Matt Mcgorry

Matt Mcgorry

Matt Mcgorry

Matt Mcgorry

Matt Mcgorry

Me


Here are some pics of the people that came to the opening.

Looking at something...
...at this point I am so tired that standing is not an option, I work too much.



So we all had some box wine and a few beers, it was a short night and I went home and slept in.  thanks to all of you that came out, see you again soon.

Im tired, seriously tired...
...2007 has been a very long year so far.

Tuesday, October 9, 2007

2.2.3_Other tools.

2.2.3_Other tools.


Anything can be used as a tool for oil painting. As a child I knew a man that painted with sharpened sticks and twigs and referred to himself as the twig painter.  Each painting tool is a discipline to master. While working solely with the pallet knife I needed a larger surface to move paint, I chose to use a toaster for several composition paintings simply because was the tool that could get the results I was looking for. The concept that I was working on at the time dictated what tool I use, as I chose the toaster simply because I could only acquire the results I wanted from its large, flat, smooth surface.  I wanted a larger size so I used a freezer door as my tool, with the same intended purpose as the toaster and pallet knife. My personal experiments with unconventional tools did not end there and eventually lead me back to the brush. These experiences gave me separate voices of dramatic difference within my work that I someday may eventually unite into a single personality with a voice based on multiple techniques. 

I once challenged an artist to paint with a wind up toy bear that’s arms would become animated in opposing directions, swinging in a swimming motion, and a small toilet plunger. Although the physical aesthetic of the work he produced was poor, if the artist would have continued to practice the discipline in oil painting with the toy bear and toilet plunger he would have eventually found a way to create what his intuitive mind was telling him in an aesthetically pleasing manner. The toy bear and a toilet plunger were experiments in teaching an understanding of what a tool is to the artist. The lesson was intended to remove the artists dependance on a conventional painting tool as the brush, and to teach the artist that all painting tools are simply a discipline within themselves to learn. My apprentice painted five works with the toy bear and toilet plunger. It was not until the fourth work did he begin to get a handle on the tools themselves, and not until the 5th did he start to see the lesson of tool as a discipline. 







Prior to this experiment I attempted the same lesson with this artist, confining him to use one brush type per painting. The lesson, tool as discipline, is the same here as it was with the unconventional tools, but my apprentice couldn’t separate his mind from the brush as he used it even though he was only allowed to paint exclusively per brush type. His unimaginative approach to painting and painting tools that pointed me in the direction of removing his habits with the unconventional and witty toy wind up bear and toilet plunger. I had to remove the idea of tools as tools, making the action of painting absurd in order for him to see the ideas behind the lesson. Subsequently this artist should have been able to see this on his own, and as far as I know he no longer paints.
together we did have a very good time painting, and Stefan was extremely talented in illustration, and I hope that he still works creatively today as he did yesterday.




Wednesday, October 3, 2007

Artwork of the month: Max Beckmann.

I have never really liked Max Beckmann's work. I found it unskilled, childish, and uninventive. For years I would simply walk past this painting, paying it no mind. Working at the Minneapolis Institute of Arts, I have found myself paying attention to works of art that I would have normally ignored. Subsequently, I have changed my perspective on many works of art; Beckmann's piece included.

Although I still do not like his poor use of composition, I find Beckmann's use of color enjoyable. The layers of color, dark over light over dark, is typical of the expressionists and still innovative today. Philosophically this work is a personal catharses and escape from World War II.

Max Beckmann
German, 1884-1950
"Blind Mans Buff"
1945, oil on canvas

"I think only of objects: of a leg or an arm, of the wonderful sense of foreshortening, breaking through the plane, of the division of space, of the combination of straight lines in relation to curved ones."
-Max Beckmann


Pay attention to the content in this painting...
...it can surprise you.

Tuesday, September 25, 2007

New illustration study

Another bitTorrent study.  I am getting better at handling a circle in ink.  Eventually I will be good enough to paint a complete circle in oil perfectly.  At the moment I just take my time and slowly go over its outer edge, then move into the circle itself.

This composition seams at first unbalanced, and heavy toward the right.  But as you will notice the unbalanced weight is reestablished by the open space between the arch and angle.  This composition would be most successful if used with a monotone background, lighter complementaries as the forms and triadic complements as the lines.

BitTorrent Study #7
Ink on paper.
2007

Thursday, September 20, 2007

Artwork of the Month: My favorite Picasso's at the MIA.

I have admired the composition of this vase for a long time.  Picasso has long been an artist that I both love and hate.  Today he is on my good side.




Pablo Picasso
Spanish, 1881-1973
Vase
Earthenware, slip, 1950


"Art is a lie that makes us realize truth."
-Pablo Picasso 



Sunday, September 16, 2007

Minneapolis Institute of Arts Sept 2007

I got the chance to exhibit two of my newest works at the Minneapolis Institute of Arts.  It is just a staff show and not open the the general public, but it is still cool.  I love my job.





thanks for reading...
...more to come soon.


Tuesday, September 11, 2007

New illustration study

This is a new study for my upcoming series of oil paintings titled "BitTorrent."  The BitTorrent paintings are going to be a self created mythology where I take the ideas of our past and combine them with what is in our minds today.  This study is about the disharmony of size and complexity.  I want to work with compositions that are very simple, yet very complex as the convoluted arrangement and use of the compositional forms within the total space quiets down its own exaggeration.  

I can see these in my mind as very subtle images with many juxtaposing compositional elements.  Each element at war with one another as their disharmony causes a mindfulness of peace.  I will keep working on I an very interested in how we as mankind see our world very similar to these ideas of balance and discord.  I wanted to work toward an overbalanced composition that felt as if it almost sprang back on itself.  And I think I got it.


BitTorrent Study 6
Ink on Paper
2007

Thursday, September 6, 2007

2.2.2_The pallet knife.

2.2.2_The pallet knife.
The pallet knife is naturally quick and improvisational in its abilities for laying paint on a surface.  There as many varieties as to the edge, shape, and flexibility of a palette knife; most of which mimic the paint brushes various features of each bristle type.  The palette knife has the ability to control the texture of oil paint, manipulating this painting medium into a sculpting medium.  The use of oil paint as a sculpting medium is still painting.  I use the pallet knife to sculpt three-dimensional forms out of oil paint.


     I used a set of 12 palette knives for an entire series of works.  I even found myself using a toaster, then a freezer door for their larger edge to pull paint.