Showing posts with label Museum. Show all posts
Showing posts with label Museum. Show all posts

Sunday, July 8, 2012

A day at the Walker Art Museum

The last time I went to the Walker was for my bachelor party (and no I am not that boring, I am just as much a filthy degenerate as the rest of mankind- we went to bars and strip clubs too).  It was cool to grease through the museum then and get a quick look.  

Yesterday I was given the entire day off, so I took advantage of it and hit the Walker Art Museum on my way home.  This will either clear my head or befuddle it farther (ever have one of those weeks where its just not going your way and you can see it is not going to anytime soon).




 The building really is pretty impressive regardless of which side you are approaching it from.  I love the dots of grass within the sidewalk.  I feel very directed and attracted to to the landscape design here, just as if I was following the directions of the one bee in the hive that knows the way.  



I think it looks like a robotic human or monkey head.  Any thought as to what you see?
I mean seriously look at it, its eating people!

This sculpture has been in front of the walker for a long time.  I do love Calder, but regrettably I have paid little attention to this work simply because it has always just been there.

Alexander Calder
American, 1898-1976
"The Spinner"
1966, Aluminum, steel, paint
 Roy Lichtenstein
American, 1923-1997
"Salute to painting"
1985-86, aluminum, paint.

Takashi Murakami wallpaper lined bathrooms...

...never tried being watched while I pee.

This was the first piece I came to that I had to stop and take in.  The security guard told me to not take photos so I waited until she wasn't looking.  Then when she caught me I pretended that I didn't know any better.   Bad form, yes, but this is too cool to not photo and talk about.


Marlene McCarty
"Group 8 (Karisoke, the Virungas, Rwanda. September 24, 1967. 4:30pm.)
2006, Ballpoint Pen and Graphite on Paper 

I did not pay attention to this title, as it was designed by Ernesto Neto.

Lee Bontecou
American, born 1931
"untitled"
1961, welded steel, canvas, wire, velvet.

An early mark Rothko.  Fun to see his younger works, as I always remember him for his fields of color.  I have always felt disappointed knowing that he slit his wrists.

Mark Rothko
American, born Russia 1903-1970
"Ritual"
1944, graphite and oil on canvas

 Willem de Kooning
American, born netherlands 1904-1997
"Untitled XII"
1983, oil on canvas

de Kooning is one of my favorite artists.  His entire career as an artist is this graceful climb back to peace of mind (He deserves a new post all to himself).

Grace Hartigan
American, 1922-2008
"Human Fragment"
1963, oil on canvas

This sculpture is a beautiful work of art.
 
 

Bonnie Collura
American, born 1976
"Snowman"
Fiberglass resin, paint

Mathew Barney typically just pisses me off.
Mathew Barney
American, born 1967
"Envelopa, drawing restraint 7 manual D"
1993, graphite, synthetic polymer, petroleum jelly on paper, vinyl, nylon

His materials list reminds me of Rob McBroom's standard list.

Mark Rothko
"No. 2"
1963, oil and acrylic on canvas

I am a sucker for anything gilded.  My gold leaf texture compositions series of paintings were a serious accomplishment for me.  I love the way light dances across gilded surfaces, how it reminds us instantly of the type of fortune that doesn't have to be monetary. 

Sherrie Levine
American, born 1947
"skull"
2001, bronze gilt




Paul Thek
American, 1933-1988
"Hippopotamus"
1965, Beeswax, plexiglass, metal, and rubber





I have had the pleasure of viewing 4 paintings by Nerdrum.  Each time I am reminded of the classic masters like Rembrandt, Velazquez, and Goya.  Nerdrum is that master of our time, and he knows it, and plays that character out to its fullest. 
Odd Nerdrum
Norwegian, born 1944
"White brick"
1984, hand ground pigments based in linseed oil and egg on canvas on cardboard




I love her work...

Yayoi Kusama
Japanese, born 1929
"Oven Pan"
1963, paint, canvas, cotton, steel, wool.

...I always have.

I finally made my way to the garden terrace.  I was alone, not a single tourist in sight (yet) so I had a smoke, worked on a few lines for my book, and relaxed before continuing on.



At this point the rest of the city was waking up from last night's binge fest.  And my buddy Chris texted, he lives a block away and he was on his way to meet me.  Chris and I continued on for the 80's exhibit "This Will Have Been:" and Minouk Lim's "Heat of Shadows" installation.

Jean-Michael Basquait
American, 1960-1988
"Hollywood Africans"
1983, synthetic polymer and mixed media

David  Hammons
American, born 1943
"How you like me now?"
1988, tin, plywood, sledgehammers, lucky strike cigarette wrapper, american flag

This installation reminded me of Scott, a buddy that lives in New York.  I am not going to explain that, if you know Scott you truly understand how cool this is.

Gretchen Bender
American, 1951-2004
"T.V. Text and Image"
1986-1990, television sets with vinyl lettering and metal shelves

These last pics are from the videos in Minouk Lim's exhibit.  It was interesting, and it was nothing original at all.  The ideas are important and need to be communicated often, but alas it missed the mark in that it felt like trite college kids with a camera and a cause and a semester of world history.








It was a good day.  Chris and I scouted out some bike ride spots and then had a BBQ afterwards with a friend of ours from Florida who is up for a week to visit.  The Walker Art Museum lost something for a period of time.  I found myself not going there for a few years, then I would check in and see what's going on and find myself disappointed.  They hired a new Curator a while ago, and in my opinion the Walker is exhibiting a higher standard of work now.


This was likely my last visit to the Walker for a long time...
...moving in the end of August to a land far far away.



Thursday, July 5, 2012

Artwork oft the month: Recently acquired

The Minneapolis Institute of Arts just purchased this new painting.  It is a beautiful landscape, and definitely worthy of your time to go down and take a moment to contemplate its simplicity.  As it is a very small painting, it is easy to walk past if your not paying attention.  

Richard Parks Bonington
British, 1801-1828
"Rouen Cathedral, sunrise"
1825, oil on millboard


I have not had the time needed to study it to speak clearly...
...It could pass for contemporary work completed today.


Monday, July 2, 2012

Youtube...Going to the Museum

I am still working out the kinks in my GoPro Hero 2.  It works fine, but I am having difficulty with the internal settings.  I want the video to be a simple and clear image while able to upload to social media quickly without too much load time for viewers.  



I like the camera...
...snorkeling with this is going to be cool.

Wednesday, May 2, 2012

Artwork of the Month: Wedding art

After a night of drinking and dancing, Athena told me that she can relate to this oil painting now.  We have looked at this painting in passing, not really thinking very much about it until now.  It is on view at the Minneapolis Institute of Arts.  

Douglas Volk
American, 1856-1935
"After the Reception"
1887, oil on canvas

She looks completely wiped out. A wedding, drinking, dancing, eating and talking will do that to you.  Athena and I were both completely wiped out the day after our wedding. We had a blast!

Tuesday, April 17, 2012

A new Chuck Close

I remember the first time I saw this painting.  I was in grade school, probably 10 or 11 years old and it was the coolest thing I had ever seen.  After 20+ years of looking at the same painting the wonder wore off.

Chuck Close
American, born 1940
"Frank"
1969, acrylic on canvas

The Minneapolis Institute of Arts recently purchased this screen print by Close.
It is awesome, go see it.

"James"
2004, color screen print
Edition 45 out of 80


Now with the newer work by Close, I can look back at his painting of Frank and see it with an idea of his development as an artist.  You can see both of these paintings on display at the Minneapolis Institute of Arts.